1 | | The Mission: Gabriel's Oboe |
2 | | The Mission: The Falls |
3 | | Sergio Leone Suite: Ecstasy of Gold from The Good, the Bad, and the Ugly |
4 | | Brian DePalma Suite: Death Theme from The Untouchables |
5 | | Giuseppe Tornatore Suite: Playing Love from The Legend of 1900 |
6 | | Moses and Marco Polo Suite: Journey from Moses |
7 | | Giuseppe Tornatore Suite: Malena (Main theme) |
8 | | Giuseppe Tornatore Suite: Looking for You (Love Theme) from Cinema Paradiso |
9 | | The Lady Caliph: Dinner |
10 | | Moses and Marco Polo Suite: Theme from Moses |
11 | | Sergio Leone Suite: Main Theme from Once Upon a Time in the West |
12 | | Moses and Marco Polo Suite: Main Theme from Marco Polo |
13 | | Sergio Leone Suite: Main Theme from Once Upon a Time in America |
14 | | Giuseppe Tornatore Suite: Remembering (Ricordare)* |
15 | | Gabriel's Oboe |
16 | | Sergio Leone Suite: Deborah's Theme from Once Upon A Time In America |
17 | | Simple Gifts |
18 | | Giuseppe Tornatore Suite: Nostalgia from Cinema Paradiso |
19 | | The Lady Caliph: Nocturne |
20 | | Thaïs: Méditation |
21 | | Brian DePalma Suite: Main Theme from Casualities of War |
22 | | Here and Heaven |
23 | | Sergio Leone Suite: Cockeye's Song from Once Upon a Time in America |
24 | | Carnival of the Animals, R. 125: XIII. The Swan |
25 | | Simple Gifts |
26 | | Cantata, BWV 147: Jesus, bleibet meine Freude (Jesu, Joy of Man's Desiring) |
27 | | 1B |
28 | | The Four Seasons, Concerto No. 4 in F Minor, RV 297 "Winter": II. Largo |
29 | | Mido Mountain (Chinese Traditional)The Essential Yo-Yo MaYo-Yo Ma, Joel Fan, Joseph Gramley, Mark Suter, Shane Shanahan, Sandeep Das & Edgar Meyer |
30 | | Cantata, BWV 208: Schafe können sicher weiden (Sheep May Safely Graze) |
31 | | Chega de Saudade |
32 | | The Falls |
33 | | Butterfly's Day Out |
34 | | Havanaise, Op. 83 |
35 | | Cantata, BWV 645: Wachet auf, ruft uns die Stimme (Sleepers Awake) |
36 | | Andante cantabile, Op. posth. |
37 | | A lenda do caboclo |
38 | | Cello Sonata in D Minor, Op. 40: IV. Allegro |
39 | | Piano Quartet No. 1 in G Minor, Op. 25: IV. Rondo alla Zingarese. Presto |
40 | | Chi passa per'sta stradaThe Essential Yo-Yo MaYo-Yo Ma, Joel Fan, Joseph Gramley, Mark Suter, Shane Shanahan, Sandeep Das, Colin Jacobsen, Todd Reynolds & Edgar Meyer |
41 | | Anything GoesThe Essential Yo-Yo MaYo-Yo Ma, Marc Fosset, Daniel Humair, Roger Kellaway, Stéphane Grappelli, Stephanie Grappelli & Jon Burr |
42 | | Attaboy |
43 | | Wapango |
44 | | Helping Hand |
45 | | Where's My Bow? |
46 | | Here and Heaven (Live) |
47 | | 13:8 |
48 | | Franz and the Eagle |
49 | | Quarter Chicken Dark |
50 | | Goat Rodeo |
51 | | Attaboy (Live) |
52 | | No One But You |
53 | | Hill Justice |
54 | | Less Is Moi |
55 | | Inside the Goat Rodeo Sessions |
56 | | The Chairman's WaltzMemoirs of a GeishaJohn Williams, Yo-Yo Ma, Itzhak Perlman & Memoirs of a Geisha Original Soundtrack Orchestra |
57 | | The Eternal Vow (from "Crouching Tiger, Hidden Dragon")The Essential Yo-Yo MaTan Dun, Yo-Yo Ma, Chen Xie-Yang, David Cossin, Shanghai Symphony Orchestra & Shanghai National Orchestra |
58 | | Appalachia Waltz |
59 | | LibertangoThe Essential Yo-Yo MaYo-Yo Ma, Horacio Malvicino, Leonardo Marconi, Antonio Agri, Hector Console & Nestor Marconi |
60 | | Suite for Cello and Jazz Piano Trio: Baroque in Rhythm |
61 | | Vocalise, Op. 34 No. 14 |
62 | | Three Preludes: I. Allegro ben ritmato e deciso |
63 | | Cristal |
64 | | I Could Have Danced All Night |
65 | | The Wexford Carol |
66 | | Liebesfreud |
67 | | Cello Concerto in B Minor, Op. 104: III. Finale. Allegro moderato |
68 | | Hard Times Come Again No More |
69 | | The Swan from Carnival of the Animals (Chamber Version) |
70 | | Etienne et Petunia |
71 | | Butterfly's Day Out |
72 | | Crouching Tiger, Hidden Dragon |
73 | | Piano Trio No. 4 in D Major, Op. 70, No. 1 "Ghost": II. Largo assai ed espressivo (excerpt) |
74 | | Old Country Fairytale |
75 | | First Impressions |
76 | | Slavonic Dance No. 2 in E Minor, Op. 72Classic Yo-YoItzhak Perlman, Yo-Yo Ma, Seiji Ozawa, Boston Symphony Orchestra & Yo-Yo Ma, Boston Symphony Orchestra, Seiji Ozawa |
77 | | Becoming a GeishaMemoirs of a GeishaJohn Williams, Yo-Yo Ma, Itzhak Perlman & Memoirs of a Geisha Original Soundtrack Orchestra |
78 | | Slumber My Darling for voice & piano |
79 | | Cello Suite No. 1 in G Major, BWV 1007: I. Prélude |
80 | | The Green Groves of Erin / The Flowers of Red Hill |
81 | | Mama |
82 | | F.C.'s Jig |
83 | | The Eternal Vow |
84 | | Sayuri's Theme |
85 | | Arabian WaltzNew ImpossibilitiesChicago Symphony Orchestra, Miguel Harth-Bedoya, The Silk Road Ensemble & Yo-Yo Ma |
86 | | Star of the County Down |
87 | | College Hornpipe |
88 | | Druid Fluid |
89 | | Hard Times Come Again No More for voice & piano |
90 | | Chief Sitting in the Rain |
91 | | Pickles |
92 | | Fair Dancer Reel |
93 | | Night Fight |
94 | | Sayuri's ThemeMemoirs of a GeishaJohn Williams, Yo-Yo Ma, Itzhak Perlman & Memoirs of a Geisha Original Soundtrack Orchestra |
95 | | This Little Light of Mine |
96 | | Joy to the World |
97 | | Touch the Hand of Love |
98 | | Speed the Plow Medley |
99 | | Invitación Al Danzón |
100 | | Sayuri's Theme and End CreditsMemoirs of a GeishaJohn Williams, Yo-Yo Ma, Itzhak Perlman & Memoirs of a Geisha Original Soundtrack Orchestra |
101 | | A Love Before Time (Mandarin) |
102 | | Panxoliña: A Galician Carol |
103 | | Gabriel's Oboe from the Mission |
104 | | Here Comes the Sun |
105 | | Carnival of the Animals: XIII. The Swan |
106 | | Farewell |
107 | | Familia |
108 | | Ave Maria |
109 | | A Love Before Time |
110 | | Silk Road |
111 | | Vassourinhas |
112 | | Brush On SilkMemoirs of a GeishaJohn Williams, Yo-Yo Ma, Itzhak Perlman & Memoirs of a Geisha Original Soundtrack Orchestra |
113 | | Schizoozy |
114 | | Trio Sonata No. 6 in G Major, BWV 530 (Arr. for Mandolin, Cello, and Double Bass): I. Vivace |
115 | | While My Guitar Gently Weeps (feat. India.Arie) |
116 | | Butterfly's Day Out |
117 | | Kuai LeSongs of Joy & Peace (Deluxe Version)Yo-Yo Ma, Wu Tong, Joseph Gramley, Shane Shanahan, Mark Suter, Sandeep Das, Jonathan Gandelsman, Nicholas Cords, Siamak Aghaei, Siamak Jahangiry, Kayhan Kalhor, Kojiro Umezaki, Wu Man & DaXun Zhang |
118 | | Wachet auf, ruft uns die Stimme, BWV 645 (Arr. for Mandolin, Cello, and Double Bass) |
119 | | Going to SchoolMemoirs of a GeishaJohn Williams, Yo-Yo Ma, Itzhak Perlman & Memoirs of a Geisha Original Soundtrack Orchestra |
120 | | Finding SatsuMemoirs of a GeishaJohn Williams, Yo-Yo Ma, Itzhak Perlman & Memoirs of a Geisha Original Soundtrack Orchestra |
121 | | Chiyo's PrayerMemoirs of a GeishaJohn Williams, Yo-Yo Ma, Itzhak Perlman & Memoirs of a Geisha Original Soundtrack Orchestra |
122 | | As the Water...Memoirs of a GeishaJohn Williams, Yo-Yo Ma, Itzhak Perlman & Memoirs of a Geisha Original Soundtrack Orchestra |
123 | | ConfluenceMemoirs of a GeishaJohn Williams, Yo-Yo Ma, Itzhak Perlman & Memoirs of a Geisha Original Soundtrack Orchestra |
124 | | The Chairman's Waltz |
125 | | The Journey to the HanamachiMemoirs of a GeishaJohn Williams, Yo-Yo Ma, Itzhak Perlman & Memoirs of a Geisha Original Soundtrack Orchestra |
126 | | Ich ruf zu dir, Herr Jesu Christ, BWV 639 (Arr. for Mandolin, Cello, and Double Bass) |
127 | | Desert Capriccio |
128 | | A New Name... A New LifeMemoirs of a GeishaJohn Williams, Yo-Yo Ma, Itzhak Perlman & Memoirs of a Geisha Original Soundtrack Orchestra |
129 | | Yearning of the Sword |
130 | | A Dream DiscardedMemoirs of a GeishaJohn Williams, Yo-Yo Ma, Itzhak Perlman & Memoirs of a Geisha Original Soundtrack Orchestra |
131 | | The Garden MeetingMemoirs of a GeishaJohn Williams, Yo-Yo Ma, Itzhak Perlman & Memoirs of a Geisha Original Soundtrack Orchestra |
132 | | Prelude & Fugue in E Minor, BWV 548 (Arr. for Mandolin, Cello, and Double Bass): Prelude |
133 | | Trio Sonata No. 6 in G Major, BWV 530 (Arr. for Mandolin, Cello, and Double Bass): III. Allegro |
134 | | Sonata for Viola da Gamba No. 3 in G Minor, BWV 1029 (Arr. for Mandolin, Cello, and Double Bass): II. Adagio |
135 | | Destiny's PathMemoirs of a GeishaJohn Williams, Yo-Yo Ma, Itzhak Perlman & Memoirs of a Geisha Original Soundtrack Orchestra |
136 | | Erbarm dich mein, O Herre Gott, BWV 721 (Arr. for Mandolin, Cello, and Double Bass) |
137 | | Romance for Cello and Piano |
138 | | Prelude & Fugue in E Minor, BWV 548 (Arr. for Mandolin, Cello, and Double Bass): Fugue |
139 | | To the South |
140 | | Benjamin |
141 | | The Rooftops of the HanamachiMemoirs of a GeishaJohn Williams, Yo-Yo Ma, Itzhak Perlman & Memoirs of a Geisha Original Soundtrack Orchestra |
142 | | Sonata for Viola da Gamba No. 3 in G Minor, BWV 1029 (Arr. for Mandolin, Cello, and Double Bass): III. Allegro |
143 | | Trio Sonata No. 6 in G Major, BWV 530 (Arr. for Mandolin, Cello, and Double Bass): II. Lento |
144 | | Through the Bamboo Forest |
145 | | 1B, for Violin, Cello & Double Bass |
146 | | A Wedding Interrupted |
147 | | The Fire Scene and the Coming of War MedleyMemoirs of a GeishaJohn Williams, Itzhak Perlman, Yo-Yo Ma & Memoirs of a Geisha Original Soundtrack Orchestra |
148 | | A Dream Discarded |
149 | | Gypsy Songs, Op. 55: No. 4, Songs My Mother Taught Me |
150 | | Dr. Crab's PrizeMemoirs of a GeishaJohn Williams, Yo-Yo Ma, Itzhak Perlman & Memoirs of a Geisha Original Soundtrack Orchestra |
151 | | Was Gott tut, das ist wohlgetan, BWV 75 |
152 | | The Well-Tempered Clavier, Book I: Prelude No. 19 in A Major, BWV 864 (Arr. for Mandolin, Cello, and Double Bass) |
153 | | Appalachia Waltz |
154 | | Sonata for Viola da Gamba No. 3 in G Minor, BWV 1029 (Arr. for Mandolin, Cello, and Double Bass): I. Vivace |
155 | | Erbarme dich (Matthäus-Passion), BWV 244 |
156 | | 1B, for violin, cello & double bass |
157 | | In the Old Temple |
158 | | Tango Jalousie |
159 | | The Well-Tempered Clavier, Book II: Fugue No. 20 in A Minor, BWV 889 (Arr. for Mandolin, Cello, and Double Bass) |
160 | | Elegiac Melodies, Op. 34: No. 1, The Wounded Heart |
161 | | Keyboard Partita No. 5 in G Major, BWV 829: VI. Passepied (Arr. for Mandolin, Cello, and Double Bass) |
162 | | La Gitana |
163 | | IV. Allegro molto from Quartet for Piano & Strings No. 2 in G minor, Op. 45 |
164 | | Was it a Dream?, Op. 37 No. 4 |
165 | | Ave Maria, Op. 52 No. 6 (Ellens Gesang III) |
166 | | Fisher's Hornpipe |
167 | | Art of the Fugue, BWV 1080: Contrapunctus XIII à 3, "Rectus" (Arr. for Mandolin, Cello, and Double Bass) |
168 | | Après un rêve, Op. 7 No. 1 |
169 | | Kommst du nun, Jesu, vom Himmel herunter, BWV 650 (Arr. for Mandolin, Cello, and Double Bass) |
170 | | Art of the Fugue, BWV 1080: Contrapunctus XIII à 3, "Inversus" (Arr. for Mandolin, Cello, and Double Bass) |
171 | | Going To School |
172 | | Galloping HorsesNew ImpossibilitiesChicago Symphony Orchestra, Miguel Harth-Bedoya, The Silk Road Ensemble & Yo-Yo Ma |
173 | | Valse sentimentale, Op. 51 No. 6 |
174 | | Piano Trio No. 1 In D Minor, Op. 49: I. Molto Allegro e Agitato |
175 | | Three Preludes: No. 1 in B-Flat Major |
176 | | Salut d'amour, Op. 12 |
177 | | IV. Allegro molto from Sonata for Cello and Piano in F Major, Op. 99 |
178 | | Slumber My Darling |
179 | | The Encounter |
180 | | Night of the Flying HorsesNew ImpossibilitiesChicago Symphony Orchestra, Miguel Harth-Bedoya, The Silk Road Ensemble & Yo-Yo Ma |
181 | | Wiegenlied, Op. 49 No. 4 (Lullaby) |
182 | | Sorrow |
183 | | Il bell'Antonio, Tema III |
184 | | Misty Moonlight Waltz, for violin, cello & double bass |
185 | | Five Pieces in the Popular Style, Op. 102: I. Vanitas vanitatum |
186 | | Night At the CaravanseraiNew ImpossibilitiesChicago Symphony Orchestra, Miguel Harth-Bedoya, The Silk Road Ensemble & Yo-Yo Ma |
187 | | Cloverfoot Reel, for violin, cello & double bass |
188 | | Beau Soir |
189 | | Second Time Around |
190 | | Quartet for the End of Time: VIII. Louange à l'Éternité de Jésus |
191 | | Piano Trio No. 1 In D Minor, Op. 49: II. Andante Con Moto Tranquillo |
192 | | Papillon, Op. 77 |
193 | | Indecision, for violin, cello & double bass |
194 | | Poem for Carlita, for violin, cello & double bass |
195 | | Emily's Reel, for violin, cello & double bass |
196 | | Song Without Words in D Major, Op. 109 |
197 | | Limerock |
198 | | Appalachia Waltz |
199 | | The Cellist of Sarajevo - A Lament in Rondo Form for Solo Cello, Op. 12 |
200 | | Caprice for Three, for violin, cello & double bass |