| 1 |  | Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio |
| 2 | | Egmont Overture, Op. 84 |
| 3 | | Boléro, M. 81 |
| 4 | | The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity |
| 5 | | Symphony No. 5 in C-Sharp Minor: IV. Adagietto |
| 6 | | The Planets, Op. 32: I. Mars, the Bringer of War |
| 7 | | Symphony No. 9 in D Minor, Op. 125 "Choral": II. Molto vivace |
| 8 | | The Planets, Op. 32: VII. Neptune, the Mystic |
| 9 | | The Planets, Op. 32: II. Venus, the Bringer of Peace |
| 10 | | The Planets, Op. 32: V. Saturn, the Bringer of Old Age |
| 11 | | The Planets, Op. 32: VI. Uranus, the Magician |
| 12 | | The Planets, Op. 32: III. Mercury, the Winged Messenger |
| 13 | | Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio |
| 14 | | Carmina Burana: I. O Fortuna |
| 15 | | Symphony No. 7 in A Major, Op. 92: II. Allegretto |
| 16 | | Rigoletto: "La Donna È Mobile" |
| 17 | | Symphony No. 1 in C Major, Op. 21: I. Adagio molto - Allegro con brio |
| 18 | | Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": III. Scherzo. Allegro vivace |
| 19 | | Symphony No. 4 in B-Flat Major, Op. 60: II. Adagio |
| 20 | | Symphony No. 8 in F Major, Op. 93: IV. Allegro vivace |
| 21 | | Symphony No. 7 in A Major, Op. 92: III. Presto |
| 22 | | Symphony No. 8 in F Major, Op. 93: I. Allegro vivace e con brio |
| 23 | | Symphony No. 1 in C Major, Op. 21: II. Andante cantabile con moto |
| 24 | | Symphony No. 2 in D Major, Op. 36: IV. Allegro molto |
| 25 | | Symphony No. 8 in F Major, Op. 93: III. Tempo di menuetto |
| 26 | | Symphony No. 1 in C Major, Op. 21: III. Menuetto. Allegro molto e vivace |
| 27 | | Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Presto - Allegro assai - Choral Finale (Ode to Joy) |
| 28 | | Symphony No. 1 in C Major, Op. 21: IV. Finale. Adagio - Allegro molto e vivace |
| 29 | | Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": IV. Finale. Allegro molto |
| 30 | | Symphony No. 2 in D Major, Op. 36: III. Scherzo. Allegro |
| 31 | | Symphony No. 4 in B-Flat Major, Op. 60: III. Allegro vivace |
| 32 | | Symphony No. 8 in F Major, Op. 93: II. Allegretto scherzando |
| 33 | | Symphony No. 6 in F Major, Op. 68 "Pastoral": III. Allegro (attaca) - IV. Allegro (attaca) - V. Allegretto |
| 34 | | Symphony No. 2 in D Major, Op. 36: II. Larghetto |
| 35 | | Symphony No. 9 in D Minor, Op. 125 "Choral": III. Adagio molto e cantabile |
| 36 | | Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Allegro ma non troppo |
| 37 | | Pavane pour une infante défunte (Pavane for a Dead Princess), M. 19 |
| 38 | | Symphony No. 6 in F Major, Op. 68 "Pastoral": II. Andante molto mosso |
| 39 | | Symphony No. 7 in A Major, Op. 92: IV. Allegro con brio |
| 40 | | Symphony No. 4 in B-Flat Major, Op. 60: I. Adagio - Allegro vivace |
| 41 | | Symphony No. 7 in A Major, Op. 92: I. Poco sostenuto. Vivace |
| 42 | | Symphony No. 5 in C Minor, Op. 67: III. Allegro (attaca) - IV. Allegro |
| 43 | | Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": II. Marcia Funebre. Adagio assai |
| 44 | | Symphony No. 5 in C Minor, Op. 67: II. Andante con moto |
| 45 | | Symphony No. 4 in B-Flat Major, Op. 60: IV. Allegro ma non troppo |
| 46 | | Boléro, M. 81 |
| 47 | | Symphony No. 9 in D Minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso |
| 48 | | Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": I. Allegro con brio |
| 49 | | Symphony No. 2 in D Major, Op. 36: I. Adagio molto - Allegro con brio |
| 50 | | Concerto No. 1 in B-Flat Minor for Piano and Orchestra, Op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito |
| 51 | | Prince Igor: Polovtsian Dances |
| 52 | | Wallace Courts Murron |
| 53 | | Symphony No.9 In D Minor, Op. 125 "Choral": Ode to Joy |
| 54 | | For the Love of a Princess |
| 55 | | A Gift of a Thistle |
| 56 | | The Secret Wedding |
| 57 | | Piano Concerto No. 20 in D Minor, K. 466: III. Rondo (Allegro Assai) |
| 58 | | Symphony No. 40 In G Minor, K. 550: I. Molto Allegro |
| 59 | | Main Title (From "Star Wars") |
| 60 | | The Legend Spreads |
| 61 | | Symphony No. 5 In C Minor, Op. 67 "Fate": I. Allegro Con Brio |
| 62 | | Gayaneh: Sabre Dance |
| 63 | | Prelude / Main Title March |
| 64 | | Symphony No. 6 In F Major, Op. 68 "Pastoral": I. Allegro Ma Non Troppo |
| 65 | | Pomp and Circumstance Marches, Op. 39: March No. 1 in D |
| 66 | | Symphony No. 5 In C-Sharp Minor: IV. Adagietto (sehr Langsam) |
| 67 | | Freedom / The Execution / Bannockburn |
| 68 | | The Battle of Stirling |
| 69 | | Revenge |
| 70 | | Sons of Scotland |
| 71 | | Time to Say Goodbye (Con Te Partiro) |
| 72 | | Murron's Burial |
| 73 | | Making Plans / Gathering the Clans |
| 74 | | End Credits |
| 75 | | Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace |
| 76 | | The Princess Pleads for Wallace's Life |
| 77 | | Attack On Murron |
| 78 | | Mornay's Dream |
| 79 | | Falkirk |
| 80 | | Betrayal and Desolation |
| 81 | | Fanfare for the Common Man |
| 82 | | Carnival of the Animals: VII. Aquarium |
| 83 | | The Rite of Spring, Part I (Adoration of the Earth): I. Introduction |
| 84 | | Xerxes, HWV 40: Largo ("Ombra Mai Fu") |
| 85 | | Symphony No. 5 in C-Sharp Minor: IV. Adagietto |
| 86 | | Part I (Adoration of the Earth): II. The Augurs of Spring/Dances of the Young GirlsThe Rite of Spring, |
| 87 | | Carmina Burana: XXV. O Fortuna |
| 88 | | Symphony No. 9 in E Minor, Op. 95 "From the New World": II. Largo |
| 89 | | Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio - Allegro molto |
| 90 | | Symphony No. 9 in E Minor, Op. 95 "From the New World": IV. Allegro con fuoco |
| 91 | | Theme (From "Jaws") |
| 92 | | The Rite of Spring, Part II (The Sacrifice): XII. Sacrificial Dance |
| 93 | | Requiem: No 1. Introitus and Kyrie: Requiem and Kyrie |
| 94 | | Requiem, K. 626: No 7, Sequence - Lacrimosa |
| 95 | | The Rite of Spring, Part II (The Sacrifice): IX. Glorification of the Chosen One |
| 96 | | The Rite of Spring, Part I (Adoration of the Earth): IV. Spring Rounds |
| 97 | | Flying Theme (From "E.T. the Extra-Terrestrial") |
| 98 | | Enigma Variations: Variation IX. Nimrod - Adagio |
| 99 | | Part I (Adoration of the Earth): III. Ritual of AbductionThe Rite of Spring, |
| 100 | | Requiem: No 2. Sequence: Dies Irae |
| 101 | | The Rite of Spring, Part I (Adoration of the Earth): V. Ritual of the Rival Tribes |
| 102 | | The Rite of Spring, Part II (The Sacrifice): VIII. Mystic Circles of the Young Girls |
| 103 | | Theme from Superman (Concert Version) |
| 104 | | The Rite of Spring, Part II (The Sacrifice): XI. Ritual Action of the Ancestors |
| 105 | | The Rite of Spring, Part I (Adoration of the Earth): VI. Dance of the Earth |
| 106 | | The Rite of Spring, Part II (The Sacrifice): VII. Introduction |
| 107 | | The Rite of Spring, Part II (The Sacrifice): X. Evocation of the Ancestors |
| 108 | | Carmina Burana: II. Fortune plango vulnera |
| 109 | | Messiah: Part I, No 12. For Unto Us a Child Is Born |
| 110 | | Requiem: No 6. Sequence: Confutatis Maledictis |
| 111 | | Requiem: No 4. Sequence: Rex Tremendae |
| 112 | | Requiem: No 10. Sanctus: Sanctus |
| 113 | | Requiem: No 12. Agnus Dei and Communio: Agnus Dei |
| 114 | | Requiem: No 8. Offertorium: Domine JesuMozart: Requiem (LSO Live)Sir Colin Davis, London Symphony Chorus, London Symphony Orchestra, Andrew Kennedy, Anna Stephany, Darren Jeffery & Marie Arnet |
| 115 | | Requiem: No 9. Offertorium: Hostias |
| 116 | | The Planet Krypton |
| 117 | | Requiem: No 11. Benedictus: BenedictusMozart: Requiem (LSO Live)Sir Colin Davis, London Symphony Chorus, London Symphony Orchestra, Marie Arnet, Andrew Kennedy, Anna Stephany & Darren Jeffery |
| 118 | | Carmina Burana: V. Ecce gratium |
| 119 | | Carmina Burana: XIV. In taberna quando sumus |
| 120 | | Carmina Burana: VII. Floret silva |
| 121 | | Carmina Burana: IX. Reie; Swaz hie gat umbe; Chume, chum, geselle min, Swaz hie gat umbe |
| 122 | | Carmina Burana: XV. Amor volat undique |
| 123 | | Carmina Burana: X. Were diu werlt alle min |
| 124 | | Carmina Burana: IV. Omina sol temperat |
| 125 | | Carmina Burana: XXI. In trutina |
| 126 | | Carmina Burana: XVI. Dies, nox et omnia |
| 127 | | Messiah: Part I, No 1. Sinfonia |
| 128 | | Carmina Burana: XVIII. Circa mea pectora |
| 129 | | Carmina Burana: XXII. Tempus est iocundum |
| 130 | | Carmina Burana: XIII. Ego sum abbas |
| 131 | | Carmina Burana: VI. Dance |
| 132 | | Carmina Burana: VIII. Chramer, gip die varwa mir |
| 133 | | Carmina Burana: XXIII. Dulcissime |
| 134 | | Carmina Burana: III. Veris leta facies |
| 135 | | Carmina Burana: XII. Olim lacus colueram |
| 136 | | Messiah: Part I, No 4. And the Glory of the Lord |
| 137 | | Carmina Burana: XI. Estuans interius |
| 138 | | Rodeo - Four Dance Episodes (Instrumental): IV. Hoedown |
| 139 | | Carmina Burana: XXIV. Ave formosissima |
| 140 | | Carmina Burana: XX. Veni, veni, venias |
| 141 | | Carmina Burana: XVII. Stetit puella |
| 142 | | Carmina Burana: XIX. Si puer cum puellula |
| 143 | | Orchard House (Main Title) |
| 144 | | Main Title (From "Superman") |
| 145 | | Messiah: Part I, No 17. Glory to God |
| 146 | | Messiah: Part I, No 3. Ev'ry Valley Shall Be Exalted |
| 147 | | Messiah: Part III, No 53b. Amen |
| 148 | | Messiah: Part III, No 53a. Worthy Is the Lamb That Was Slain |
| 149 | | Symphony No. 9 in D Minor, Op. 125 - "Choral": II. Molto vivace |
| 150 | | Messiah: Part I, No 7. And He Shall Purify |
| 151 | | Symphony No. 9 in D Minor, Op. 125 - "Choral": IV. Presto - Allegro ma non troppo vivace - Adagio cantabile - Allegro - Allegro moderato - Allegro |
| 152 | | Messiah: Part I, No 18. Rejoice Greatly, O Daughter of Zion |
| 153 | | Messiah: Part III, No 45. I Know That My Redeemer Liveth |
| 154 | | Messiah: Part I, No 2. Comfort Ye My People |
| 155 | | Symphony No. 9 in D Minor, Op. 125 - "Choral": I. Allegro, ma non troppo, un poco maestoso |
| 156 | | Ave MariaDream a DreamCharlotte Church, Sian Edwards, London Symphony Orchestra & Rhodri Davies |
| 157 | | Messiah: Part II, No 23. He Was Despised |
| 158 | | Messiah: Part III, No 52. If God Be for Us |
| 159 | | Messiah: Part III, No 48. The Trumpet Shall Sound |
| 160 | | Symphony No. 9 in D Minor, Op. 125 - "Choral": III. Adagio molto e cantabile - Andante moderato |
| 161 | | Messiah: Part I, No 9. O Thou That Tellest Good Tidings to Zion |
| 162 | | Messiah: Part III, No 51. But Thanks Be to God |
| 163 | | Messiah: Part I, No 20. He Shall Feed His Flock Like a ShepherdHandel: MessiahLondon Symphony Orchestra, Sara Mingardo, Sir Colin Davis & Susan Gritton |
| 164 | | Messiah: Part II, No 36. Thou Art Gone Up On High |
| 165 | | Messiah: Part III, No 46. Since By Man Came Death |
| 166 | | Messiah: Part II, No 24. Surely He Hath Borne Our Griefs |
| 167 | | Messiah: Part II, No 25. And With His Stripes We Are Healed |
| 168 | | Messiah: Part I, No 10. For, Behold, Darkness Shall Cover the Earth |
| 169 | | Messiah: Part I, No 9.a. O Thou That Tellest Good Tidings to Zion (Chorus) |
| 170 | | Messiah: Part II, No 38. How Beautiful Are the Feet |
| 171 | | Messiah: Part I, No 13. Pifa |
| 172 | | Messiah: Part II, No 28. He Trusted In God |
| 173 | | Messiah: Part II, No 26. All We Like Sheep Have Gone Astray |
| 174 | | Messiah: Part II, No 41. Let Us Break Their Bonds Asunder |
| 175 | | Messiah: Part I, No 21. His Yoke Is Easy |
| 176 | | Messiah: Part II, No 29. Thy Rebuke Hath Broken His Heart |
| 177 | | Messiah: Part II, No 27. All They That See Him Laugh Him to Scorn |
| 178 | | Messiah: Part II, No 31. He Was Cut Off Out of the Land of the Living |
| 179 | | Messiah: Part I, No 5. Thus Saith the Lord |
| 180 | | Messiah: Part I, Nos 14a-16. There Were Shepherds Abiding In the Field |
| 181 | | Messiah: Part II, No 35. Let All the Angels of God Worship Him |
| 182 | | Messiah: Part II, No 37. The Lord Gave the Word |
| 183 | | Messiah: Part II, No 33. Lift Up Your Heads, O Ye Gates |
| 184 | | Messiah: Part II, No 40. Why Do the Nations So Furiously Rage Together? |
| 185 | | Messiah: Part II, No 22. Behold the Lamb of God |
| 186 | | Messiah: Part II, No 39. Their Sound Is Gone Out |
| 187 | | Messiah: Part II, No 30. Behold, and See If There Be Any Sorrow |
| 188 | | Messiah: Part III, No 47. Behold, I Tell You a Mystery |
| 189 | | Messiah: Part II, No 34. Unto Which of the Angels Said He At Any Time |
| 190 | | Messiah: Part I, No 19. Then Shall the Eyes of the Blind |
| 191 | | Messiah: Part II, No 32. But Thou Didst Not Leave His Soul In Hell |
| 192 | | Messiah: Part I, No 6. But Who May Abide the Day of His Coming? |
| 193 | | Messiah: Part II, No 42. He That Dwelleth In Heaven |
| 194 | | Messiah: Part III, No 50. O Death, Where Is Thy Sting?Handel: MessiahLondon Symphony Orchestra, Mark Padmore, Sara Mingardo & Sir Colin Davis |
| 195 | | Messiah: Part I, No 11. The People That Walked In Darkness |
| 196 | | Messiah: Part I, No 8. Behold, a Virgin Shall Conceive |
| 197 | | Messiah: Part III, No 49. Then Shall Be Brought to Pass |
| 198 | | Messiah: Part II, No 43. Thou Shalt Break Them |
| 199 | | Carnival of the Animals: XIII. The Swan |
| 200 | | Carnival of the Animals: XIV. Finale |
Music
